Description
Aikido (Japanese: 合気道 Hepburn: aikidō) [aikiꜜdoː] is a modern Japanese martial art developed by Morihei Ueshiba as a synthesis of his martial studies, philosophy, and religious beliefs. Ueshiba's goal was to create an art that practitioners could use to defend themselves while also protecting their attacker from injury.[1][2] Aikido is often translated as "the way of unifying (with) life energy"[3] or as "the way of harmonious spirit".[4]
A version of the "four-direction throw" (shihōnage) with standing attacker and seated defender.
Focus Grappling and softnessCountry of origin JapanCreator Morihei UeshibaFamous practitioners Kisshomaru Ueshiba, Moriteru Ueshiba, Christian Tissier, Morihiro Saito, Koichi Tohei, Yoshimitsu Yamada, Gozo Shioda, Mitsugi Saotome, Steven SeagalAncestor arts Daitō-ryū Aiki-jūjutsu
Mitsuteru Ueshiba at the 55th All Japan Aikido Demonstration held at the Nippon Budokan (May 2017)
Aikido's techniques include: irimi (entering), and tenkan (turning) movements (that redirect the opponent's attack momentum), various types of throws and joint locks.[5]
Aikido derives mainly from the martial art of Daitō-ryū Aiki-jūjutsu, but began to diverge from it in the late 1920s, partly due to Ueshiba's involvement with the Ōmoto-kyō religion. Ueshiba's early students' documents bear the term aiki-jūjutsu.[6]
Ueshiba's senior students have different approaches to aikido, depending partly on when they studied with him. Today aikido is found all over the world in a number of styles, with broad ranges of interpretation and emphasis. However, they all share techniques formulated by Ueshiba and most have concern for the well-being of the attacker.
This article uses material from the Wikipedia article "", which is released under the Creative Commons Attribution-Share-Alike License 3.0.
Wikipedia contributors. (2018, August 5). Aikido. In Wikipedia, The Free Encyclopedia. Retrieved 19:49, August 6, 2018, from https://en.wikipedia.org/w/index.php?title=Aikido&oldid=853595681
Equipment & Supplies
Uniforms and ranking
Aikido practitioners (commonly called aikidōka outside Japan) generally progress by promotion through a series of "grades" (kyū), followed by a series of "degrees" (dan), pursuant to formal testing procedures. Some aikido organizations use belts to distinguish practitioners' grades, often simply white and black belts to distinguish kyu and dan grades, though some use various belt colors. Testing requirements vary, so a particular rank in one organization is not comparable or interchangeable with the rank of another.[4] Some dojos do not allow students to take the test to obtain a dan rank unless they are 16 or older.
rank belt color type kyū white mudansha / yūkyūsha dan
black yūdansha
The uniform worn for practicing aikido (aikidōgi) is similar to the training uniform (keikogi) used in most other modern martial arts; simple trousers and a wraparound jacket, usually white. Both thick ("judo-style"), and thin ("karate-style") cotton tops are used.[4] Aikido-specific tops are available with shorter sleeves which reach to just below the elbow.
Most aikido systems add a pair of wide pleated black or indigo trousers called a hakama (used also in Naginatajutsu, kendo, and iaido). In many schools, its use is reserved for practitioners with (dan) ranks or for instructors, while others allow all practitioners to wear a hakama regardless of rank.
Weapons
Weapons training in aikido traditionally includes the short staff (jō) although its techniques resemble closely the use of the bayonet or Jūkendō, the wooden sword (bokken), and the knife (tantō).[35] Some schools incorporate firearm-disarming techniques. Both weapon-taking and weapon-retention are taught. Some schools, such as the Iwama style of Morihiro Saito, usually spend substantial time practicing with both bokken and jō, under the names of aiki-ken, and aiki-jō, respectively.
The founder developed many of the empty-handed techniques from traditional sword, spear and bayonet movements. Consequently, the practice of the weapons arts gives insight into the origin of techniques and movements, and reinforces the concepts of distance, timing, foot movement, presence and connectedness with one's training partner(s).[36]
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